Let’s Play: Star Wars Battlefront II

Here’s a game from a small studio on some unknown licensed property that no one’s talking about.

EA took some notes from the last Battlefront game and gave us a single-player campaign, which is what the Let’s Play covers.

Overall I enjoyed it. There were certainly surprises in gameplay and characters that were fun. However at around 5 hours, the story felt a bit rushed and undercooked. As a result, some character turns felt a bit more sudden and unearned. There were some fun Easter eggs but looking back, I think they only weakened the narrative and seemed like corporate mandates. Not enough time was spent on our new protagonist, Iden Versio.

That’s a shame because she seems interesting and shows lots of future potential. It helps that’s she’s given life by actress Janina Gavankar. It’s been fun seeing her do PR for the game because she’s clearly a big fan of Star Wars and has been a strong advocate for making games more legitimate in the eyes of the non-gaming public.

The multiplayer areas of this game is where the firestorm of controversy and outrage have centered. Honestly, I think the reaction is overblown but not wholly unwarranted.

EA has a checkered history and obviously views the games as a service model as a potent money maker. And we shouldn’t forget that this is entertainment for us, but a business to them. The cost of making a video game today is much higher than in the past. I have no quarrel with them trying to find ways to monetize. I think we’ve now seen a few examples of how to do it right and EA did them wrong.

There are other sources that go more in depth on the issue but my take is that pay to win is wrong. Microtransactions that give players advantages over others is the problem. Overwatch is a great model because there’s plenty to spend money on but nothing ruins the balance of the gameplay. Naughty Dog floods its multiplayer modes with skins, emotes and finishing moves, but no unfair advantages can be bought.

Even non-cosmetic DLC is okay for me in the form of additional story content. I bought every Mass Effect trilogy DLC and had no regrets. And although Mass Effect 3 had a multiplayer with loot boxes for better weapons, the game mode was never PvP so no one went up in arms. They also smartly made any MP DLC free

I’ve already written more than I care to so I’ll reiterate that the story campaign made me glad I bought this game, despite the issues with multiplayer. The campaign should’ve been longer to flesh out beats and maybe less fan-service elements would’ve strengthened the core plot.

Also, EA recently shuttered the studio that was working on an Uncharted-like Star Wars game. But there were certainly moments in this game that felt like a Nathan Drake adventure. Bombastic set pieces and high paced death defying antics left me breathless, and made me want more.

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Let’s Play: Horizon Zero Dawn, The Frozen Wilds

Just in time for the end of the year and “Game of the Year” discussions, Guerrilla shrewdly released a meaty DLC for Horizon Zero Dawn, which has maintained a spot near the top of everyone’s list despite the tough competition.

Clocking in around 8-9 hours of gameplay, it’s more than a typical add-on. Clearly a lot of work went into this expansion.

While it doesn’t offer anything newly revolutionary from the base game, what it does is remind everyone why Horizon Zero Dawn was so great. Every aspect of the game is solid and polished.

A few new tweaks were added, including control towers which shook up how I approached a pack of metal machines. The devs also brought in a few new beasts, which were dialed up in toughness and aggressiveness.

Almost immediately into the DLC, I stumbled onto one and experienced a heart-pounding battle that I wasn’t quite prepared for.

The story quests have a nice balance of current day tribe politics and some Old World lore to sift through, but I wish there was slightly more personality or differentiation from this DLC tribe and what we’ve encountered throughout the original game. The Ban-Uk look slightly different and live in the harsh snow climate, but they act like every other tribe: intolerant and dismissive. That is until you (as Aloy) solve every one of their issues and quarrels to gain their overall respect.

I just wish there was a bit more variety in this new world order.

Overall, I’m simply glad to be back in this world. I greatly enjoyed the main game and still hold it in my top three of the year.

As for the videos, I blasted through them pretty quickly to get through the game. But I also played shorter episodes. Let me know if you have any thoughts on the length!

Let’s Play: Dishonored, Death of the Outsider

I feel as if I’ve beaten this horse to death already, but Dishonored is a great series. Games like Dark Souls or MGS have never really clicked for me because I’m less into challenging gameplay or deep mechanics and more into story-driven experiences. I’d rather do a walking simulator with dialog choices than how to kill a tough boss in an FPS.

But if I can get won over by a stealth-action FPS, I think that says something.

It’s not that Dishonored has an engrossing storyline. Each installment works off of a relatively similar plot without a ton of depth.

But the world is extremely unique and interesting. Not quite steam-punk, but something that’s its own thing. And Arkane manages to change up or add to the power sets in each installment to allow for unexpected and entertaining gaming encounters. The level design is second to none, incorporating various approaches or escapes.

Death of the Outsider continues the high bar of quality, despite a more limited power set and borrowing liberally from some elements of Dishonored 2.

Some tweaks have allowed the player to use skills more often and also face less consequences for blown stealth and more action.

While the game provides some closure, I was surprised that the door wasn’t shut as definitively as I was expecting. I doubt we’ll see another Dishonored anytime soon, but Arkane has at least managed to leave a tiny crack in the void for us to come back.

Let’s Play: Uncharted, The Lost Legacy

I blasted through this latest release of Uncharted as soon and as quickly as I could. Not to get through it, but more out of excitement for a new Naughty Dog game. And possibly the last Uncharted game.

While not quite a DLC for Uncharted 4, this release doesn’t quite count as a full game. It re-uses much of the guts and elements of Uncharted 4, but involves a whole new cast and different settings.

I read a few reviews and impressions that were mostly positive but had some gripes. I think video games in a post Breath of the Wild world will have some tough things to live up to. A lot of complaints were of the limitations of the environment. If it looks like a ledge to climb, why can’t we climb it?

But I found that criticism unfair. Uncharted is not meant as an open-world game, nor is it meant to compete with adventure games like Zelda. We didn’t complain that Zelda didn’t have as deep a story or nuanced acting like Uncharted does.

What this game aims to do, it does extremely well. I loved the main characters of Chloe and Nadine. Their interplay was engaging and interesting, and their individual personalities were enjoyable and relatable.

Playing this game just made me hope that Naughty Dog continues the franchise with Chloe as the main hero. Her character is vivid and likable. I have no problem with these smaller, shorter games if it means more releases in shorter time periods.

Let’s Play: Horizon Zero Dawn

This summer we finally got a lull in an incredible year of games so that I was able to go into my backlog of games to play. At the top of that list was Horizon Zero Dawn.

Here was a new Playstation exclusive IP from a dev studio I never paid any attention to. But the pre-release buzz was really good and post-release reviews put it at the top of the games of the year, which is pretty impressive.

I state a few times in these videos that the level of polish and quality for a new IP is incredible. The visual direction and story are established with a sense of total confidence. The gameplay is tight and all the systems work together flawlessly.

And Sony has a new mascot in Aloy, a vibrant, brave, spunky, female protagonist. She has an aura of mystery but balanced with a virtuous code and a touch of rebelliousness. Ashly Burch’s vocals initially took a bit getting used to since I just kept hearing Chloe from Life is Strange, but was a great choice. Despite a few times where she sounded too much like a modern millennial, Burch gave all the poignant and emotional beats the proper weight needed to sell the story.

The main mystery in Horizon’s universe is extremely gripping and even hits a bit too close to home sometimes. I wasn’t prepared for how harrowing or tensely the history unfolded. Even though it’s told mainly through choppy holograms, audio clips, and emails, the developers were able to keep a sense of momentum and suspense that builds extremely well towards the end of the game.

In fact, the story is so tight that I’m not sure where the inevitable sequels will go. Sony has hit on a new franchise here, and especially with Nathan Drake (probably?) retiring, it’s hard to not to see more Horizon games on the… horizon.

Most online chatter has this game going neck and neck with Breath of the Wild for Game of the Year, and I can’t disagree. I’d probably put Persona 5 in the conversation. But we’re also about to ramp up again into some great looking releases in the fall.

And I’m definitely interested in diving into Horizon’s DLC in November.

Let’s Play: Night in the Woods

I jumped onto another short indie game in order to take a break from my 90+ hrs of Persona 5. Night in the Woods had been mentioned a couple of times so I decided to give it a run.

I almost didn’t play past the first Let’s Play episode just because I wasn’t sure what I was getting. The game features cute animal characters and a playful art style, yet the story and gameplay deal very much in the mundane. I have no problem with walking simulators but I guess I was expecting some kind of platforming or puzzle element.

While there are mini games, they vary radically in terms of actual skill involved. There’s Guitar Hero style button matching and some minor platforming traversal, but then are some very basic move the cursor to grab an object that barely seems worth the effort.

Over the course of the story though I found myself getting attached to the very likable cast of characters. And I started to realize what the game was going for.

Themes of transitioning into adulthood, living up to expectations (or failing to), and having to let go or feeling a sense of loss, are all very mature topics that this game deals with. The cutesy style is an interesting juxtaposition to that. In fact, this game swings wildly and unexpectedly from humor and whimsy to very morbid and morose conversations. I’d be laughing one second at the insult tradeoffs and then suddenly become speechless at a friend’s dilemma over her mentally failing father. I also appreciated the subtle way they treated a LGBT couple in the game.

When the final act starts to bring up the heat on a more mysterious, fantastical story beat, I actually began to wish that the game hadn’t resorted to such tropes for tension and interest and just stayed invested in the tragedy of the mundane. To their credit, when things get really metaphysical, the game still steers away from any overt reveals or explanations.

All in all, this game ended up winning me over with its witty dialog and endearing characters. I think some actual voice acting and foregoing the more pointless mini games would’ve made for a better experience. Hopefully the success of this game will allow the developers to stretch their legs more in their next effort.

Let’s Play: Persona 5 (intro)

I’m finally diving into the eagerly anticipated Persona 5!

Due to Atlus’ restrictions, I won’t be doing a full Let’s Play series. Which is a shame because, lord, is this game beautiful and awesome.

Rarely have I ever seen a game this slick and stylish. Every single menu or graphic has been infused with eye-candy. Not to mention the top-notch animation cut-scenes that look better than most anime.

I’ve now played about 12 hours and I still feel a bit railroaded, so hopefully things change as I move further into the story.

There’s a lot to do and see, and lots of people to talk to, but the calendar system really makes you think hard about your choice of action.

As a somewhat OCD completionist who wants to see and do everything, I find it a little bit constrictive and somewhat stressful. But I hear this is a hallmark element of the Persona series so it feels a bit wrong to criticize it.

Also, unless the game opens up new areas as I progress, I’m a bit surprised at the limited scope of locations in the game. For some reason, I had expected to be able to explore at least a good chunk of Tokyo but so far have been confined to three areas. Now, those three areas are pretty dense with activities, but still… I’m anticipating another 50 hours in this game.

Even those complaints are pretty minor in my book, as I’ve been enjoying my time already.

Also to note, since Atlus barred the PS4 broadcast/recording features, I had to resort to external capture methods for the first time. So that’s why the audio sounds a bit off. If I had planned to record the whole game, I would’ve tried to solve it, but don’t really feel like it’s worth it at this point. Apologies!